London Buddhist Vihara, formerly Bedford Park Social Club

Location 3

Monochrome photograph of Bedford Park Club
The Bedford Park Club, built 1881
Anagarika Dharmapala, Annie Besant and Henry Steel Olcott
The Club is now the London Buddhist Vihara founded by Anagarika Dharmapala (centre) with (left) Annie Besant, one of Yeats’s Bedford Park acquaintances, later president of Indian National Congress, and first western Buddhist Henry Steel Olcott whom Yeats heard lecture here.

The original Bedford Park Club is now the London Buddhist Vihara, a reincarnation that would have delighted Yeats.

Unlike normal Victorian housing developments, Bedford Park was designed for happiness rather than profit: so it included church, pub, sports ground, convenience store, a school of art and a social club that, unlike others in London, admitted men and women on equal terms.

Offering billiards, hosting fancy-dress balls, and staging the plays that inspired Yeats, the Club also arranged lectures on the progressive topics of the day, including vegetarianism, women’s rights, and the treatment of the Empire’s indigenous subjects, as well as Home Rule for India and Ireland.

…Obviously topics of interest to Bedford Park’s cosmopolitan range of residents, which included a Ukrainian anti-Tsarist, French and German painters, an American anti-slavery campaigner and one of Britain’s only two Asian MPs.

The Theosophist Henry Steel Olcott was invited here to speak in December 1889: he was the first “Westerner” to convert to Buddhism. Yeats attended that lecture and remained interested in Eastern teachings for the rest of his life.

It was one of Olcott’s followers, Anagarika Dharmapala, from Sri Lanka, who founded the London Buddhist Vihara. And the Vihara moved into this building in 1994 without, as it happens, knowing that Henry Steel Olcott had lectured here 105 years earlier. An example of good karma that would, perhaps, have intrigued Yeats!

Yeats’s interest in the East wasn’t confined to Buddhism though. He got to knew Sarojini Naidu whom Gandhi described as “the Nightingale of India” and wrote an introduction for Rabindranath Tagore’s Gitanjali, as well as fostering the careers of other Indian poets and, in his later years, translating the “Upanishads” with Shri Purohit Swami.

Yeats was convinced that wisdom could be found by embracing other cultures. And his meeting with another of Olcott’s colleagues, Mohini Chatterjee, so impressed him that it led him to write a poem about that moment, thirty years after it occurred.

Hear Ciarán Hinds read the poem ‘Mohini Chatterjee’:

Mohini Chatterjee

I asked if I should pray.
But the Brahmin said,
“pray for nothing, say
Every night in bed,
‘I have been a king,
I have been a slave,
Nor is there anything.
Fool, rascal, knave,
That I have not been,
And yet upon my breast
A myriad heads have lain’”.

That he might set at rest
A boy’s turbulent days
Mohini Chatterjee
Spoke these, or words like these,
I add in commentary,
“Old lovers yet may have
All that time denied —
Grave is heaped on grave
That they be satisfied —
Over the blackened earth
The old troops parade,
Birth is heaped on Birth
That such cannonade
May thunder time away,
Birth-hour and death-hour meet,
Or, as great sages say,
Men dance on deathless feet.”

Rabindranath Tagore, front cover of Gitanjali, and Sarojini Naidu
Rabindranath Tagore (Yeats introduced his Chiswick Press English translation of ‘Gitanjali’) and Sarojini Naidu, sketched by Yeats’s father (like Annie Besant, she would later be president of Indian National Congress)